limited !!!

truesoul records are proud to announce the release of *let your soul outside*, the debut album from reset robot in april 2014. behind the reset robot project is dave robertson, a producer who has released standout singles on labels like dogmatik, intacto and adam beyers truesoul imprint over the past 5 years. now he steps up with his debut album, the stunning *let your soul outside*.

in 1988 krs one made the poignant declaration of never trusting a big butt and a smile on boogie down productions song *jimmy*. truer words have never been spoken. fast forward 2 years later, bell biv devoe are smashing the charts (urban to pop) with their debut single *poison*, and in taking krss words of wisdom the exact phrase - never trusting a big butt and a smile has a major part of the chorus. the world over was singing it.

supported by dixon, maceo plex, phil weeks, timo maas, karote, jerome sydenham....
this month sees dennis ferrers objektivity imprint releasing a stellar new two-tracker, in the form of remixes of ane bruns to let myself go from dennis ferrer and

2nd vinyl sampler , taken from the album ** let your soul outside**

truesoul records are proud to announce the release of let your soul outside, the debut album from reset robot in april 2014.

fantastic new pressing of lost trax classic ill never let you go by william s. re mastered for 2014 from original dat s and pressed nice and loud in original 1987 artwork. while the a side is a useful addition to your catalogue its all about the stunning b side instrumental mix. released in conjunction with trax / harmless.

great new four track ep featuring some super cool disco rarities hailing from the islands of the caribbean. worth the price of this 12 inch alone is the fantastic and über-rare *naussaus discos* by mucho plus, an awesome remake of the beginning of the end classic and a floorfiller so in-demand it features in discogs top ten of most expensive records ever sold. this is followed by a great funky steel drum cover of the roy ayers classic *cant you see me* by trinidadian artist boogsie taken from his hard-to-find 1979 lp. next up is *sweetie* by manhattan charlies roots which is a barbadian disco take on bunny macs afro classic *let me love you* and then rounding things up nicely is the super hot *hands up* by casual t, a soulful disco boogie jam originally out on a mega rare jamaican 7 inch. superb!

our man from serbia has specialized in slow but powerful house tracks with a classic touch. after he remixed an older keno records track we knew that we need a full release from this guy

having previously had releases on visionquest and italian imprint amam, aeons fifth release is courtesy of ukrainian producer and performer qbeck. with the *dont let it fall ep* and as the latest addition to the aeon family qbeck is the perfect candidate to bring a fresh take on the electronic music scene, supplying a sound that perches somewhere between minimal, tech and deep-house.

after debuting on the limited hamilton dance records, nycs own time reveals lands itself its first starring role. comprised of marcos cabral and susan domelsmith, their new single let my body is aggressive to say the least. super jacking hardware sequenced analog synth lines backed with chanting vocal loop punishes the dance floor.

romanthony - let me show you love (2013 remixes) following on from the much hyped (plays on tong/mosca/todda t shows) and big selling re-works of bring u up, glasgow underground dust off let me show you love, arguably romanthonys biggest club hit (outside of one more time, and hand it over to gerd, oliver $, gavin herlihy & laura jones, mia dora and label owner kevin mckay for some 2013 touches. this 12inch features gerd, kevin mckay and oliver $.

brill deep groovin disco, incl ooft! rmx

astropolis following the spirit that has made it the oldest and finest french electronic music event, by keeping on its watchword: pleasure. it is to nouméa, cut off from the outside world and phare away of the electronic sphere that let us fight ep took shape. three track spread on 2 records delivering a plural techno, mixing masterfull and powerful groove. ep enclosed by electric rescue, with a better days devastating version reminding sound from ur. all tracks are mixed by stephane scan x.
supported by: agoria, fabrice lig, magda, marco carola, slam, get abril, rone, john digweed, deetron, sebastien léger, nicole mudaber, kolombo, paco osuna, hermanez, dubfire, gregor tresher ...

next gabriel ananda double header !!

the 909, the drum machine that has shaped the dance floor in the last few couple of decades, is still leading the underground sound. in this e.p. tino venditti, dj producer based in rome, goes through the sound 90 thus exploiting the wake of 909, adding a pinch of electronics

let the machines do the work (ltmdtw) are a 4 piece electronic out&#64257,,,,t that have a crazed obsession for all things analog. not the, i am into analog cause its cool, but a crazed obsession. simply step into their studio and you will be whisked away from the digital age in a heart beat as a haze of humming transistors and burnishing outboards drape you in a warm welcoming embrace. one love / brighter day is their debut release on the grass roots inspired blah blah blah records and it delivers a heavy and welcoming thump to the chest, forget thin digital beats, this is big phat dance&#64258,,,,oor house, dynamic, luxurious and seductively wanton.

ltd clear 10 inch vinyl with fresh hot disco edits

earl jeffers is an alias and side project from chesus (local talk, ten thousand yen) and his second release for catapult records delivers two raw and infectious slices of filtered disco house revisionism. the goose and let it out are both crisp clean tracks of soul hacking euphoria that deliver some extravagant 4/4 dance floor ammunition.

selected advent deal, six brand new post-technopop tracks from the borft universe!

a luxury release on heavyweight double 12 inch vinyl in gatefold sleeve. all tracks recorde in 1961 at gaslight cafe, nyc (1-6) and bonnie beechers apartment, minnesota (7-24).

the return of pryda friends on vinyl featuring tracks from 2 artists: pressed on green vinyl with hand stamped logo

romanthony let me show you love - 2013 remixes! limited edition hand spraypainted black & white sleeves, heavy-weight vinyl!

romanthony - let me show you love 2013 remixes !!

danse club records continues its journey into 90s us house music with a superb new remix package of 95 norths > let yourself go< featuring remixes from matt tolfrey, moodymanc & brodanse. scott & austen smart aka brodanse are very much tapping into the musical zeitgeist with their recently launched danse club records label.

zum 40. jubiläum des legendären philly-labels erscheinen in kooperation mit expansion eine reihe limitierter 7inch vinyle mit den besten klassikern!

killer trax by lando kal (a.k.a. antaeus roy, incl anthony shake shakir rmx

kranky was a bit surprised earlier this year when jessica bailiff contacted us and asked if we wanted to preview her new album for possible release. we had no idea she had even been working on an album, let alone had completed one, and we were rewarded with a listen to her most compelling album to date.

100% silk begs and pleads for all things octo – that eight-sided honest octagon: sweet, sad, shy, hopeful, blissful, light, lifting, longing. going deeper, swelling higher than his first >let me see you< 12 inch, >oh love< unifies touching human experience with technology, sound, and rhythm in a totality of vision.

based out of nyc, profound audio is one of americas leading labels for seriously heavyweight bass music.

limited edition vinyl - only 300 pressed. finally after a very long wait we are very happy to announce the first release on bengas newly revived benga beats label from the mighty pixel fist.

born in canada, now residing in leeds, 21 year old producer nathan micay - bwana is the latest artist to join the somethinksounds roster. with zero production experience, bwana only started making tunes at the start of 2011. fast forward 18 months and he has already signed tracks to canadian label infinite machines (over and done ep), to mad decent imprint the jeffrees (cant you just / this is real) and featured upon the playlists of tastemakers mary anne hobbs, rob da bank and rinse fms monki.

>let yrself be<, the second single to be taken from jimmy edgars critically acclaimed majenta, tells the story of, in resident advisors words, a nomadic sex fiend gone clubbing. two of the albums more brazen house cuts are the focus, evincing an artist as adept at catering for dance-floor and dj as he is for the home-listener.
the title track is a beatific cruise through stabs, chords, claps and slaps to a place where 90s house meets garage vocals, shutters are raised and everyone dances happily ever after. >heartkey<, on the other hand, shows a starchild at his sultriest. chugging along with electro swagger and vocoder charm, his claims to be the only one with the key to your heart are hard to disbelieve. lock up your android daughters.

with eddie cs previous creation for lets get lost barely out of the barrel of the the labels finely engineered hand cannon we are bombarded with two more selections from the canadian turned berliners seemingly limitless arsenal of secret weapons. masterful re-arrangement as ever ever from the now seasoned producer. side a yields wonderfully quirky balearic vibes while on the flip a horn and string led disco barn stormer reminiscent of a rub-n-tug unknown gem provides what is, for us at least, the highlight of the ep. two very different tracks and a great package all round.

burnski is a well known artist from his releases on 2020 vision, hot creations, dessous, morris audio, air london... let it be is a groovy tech house vinyl ep

black belt disco choppers marvin & guy board the runaway lets get lost train with two housed up disco edits under their hats. two very well known tracks get a very unexpected dose of medicine and the prognosis is very good indee

jack dixon, a london-based electronic artist draws influences from wolfgang voigt, mutant disco, autechre and tim hecker. quite an array of jumping off points and ones which are clearly evident throughout his intricate productions. his productions sound as much at home on a heaving, sweat-soaked, educated dance floor as they do on headphones in the sleepy urban half-light on the night bus home. from his earliest releases on brownswood, take, and silverback, jack has found love and support from amongst others mary anne hobbs, joy orbison, will saul, sinden and eats everything.

fully koded chicagoians traxx and beau wanzer team up for another mutant beat dance release. together they have produced arguably the best 80s chicago house record not made in the 80s. the mutants call it jakbeat, inspired by the early days of house music. tip!!! let me go is as intense and rhythmically inclined as they come. naughty woods sparse vocals cry desperation, almost nearing insanity, which makes up for a pressure cooker like warehouse anthem. rottonfunk is another intense work out which has a killer groove and makes us wander off to the promised land (wherever that is). its delightful to hear that chicago house music this good still gets made. surely when it was released way back when, it would fetch top dollars on the interweb. authentic stuff!

violent dubstep, machine head destroyed by niveau zero!

!-!baby , let me be the pig tonight###cairo quickstep###botox beauties###squid salad

vinyl only release, for those who knows...

simon bakers debut album traces saw the london based producer record a superb, honest reflection of his influences and took his deep house sound into a long playing format that was critically acclaimed across the board. let me in was one of two tracks that featured vocals from debukas that were highlights of the album, and it returns in original album version and with an excellent remix from lee curtiss. lee curtiss is currently riding high after great releases on spectral sound and get physical, an excellent cd compilation for watergate and as part of the visionquest collective. his version is a remix in the truest form, he treats the original with respect, but twists and turns it very much into his own track, perfectly fine tuned for club sets and soundsystems. this combined with the awesome original provides another essential simon baker and 2020vision collaboration

brand new huxley on the currently on fire hypercolour label, it is modern uk house with a bass heavy twist to it, very much in the same vain as recent scuba productions. on the flip is a remix from the talented eats everything. a fine follow up to the recent kevin mcphee release on this label.

it is one of our traditions to release remixes of our favourite artists and so we are happy to feature top remix artists for this minilogue remix release on traum.
the >drop the mask of self protection< remix of dominik eulberg is a bit of an adventure! unlike his >diorama< album and maybe because of its elaborate musical challenge, he has taken a time-out to create a serious club format in the true eulberg style witnessed on trapez in the past. so what does that really mean for this track? well this remix kicks off a bit of an relaxed percussive and deep house groove and undergoes in its course quite an explosive transformation! with a lot of skill and finesse mr eulberg pulls the strings with accuracy and makes the transfer of what unfolds to be a heavy big pounding techno rocker! thumbs up this is superb and eulberg at his best.

this 4-track ep is the first official release from new jerseys mikeq, one of the unquestioned leaders of the current vogue-house scene, and follows in the wake of a slew of self-released tunes he has dropped over the past few years. let it all out is also the second record on kingdoms fade to mind imprint, which has already received mountains of praise despite its short discography. largely built upon raw, upfront drum sounds, recycled snippets of hip-hop and r&b, and, most importantly, the ever-present >ha< (itself a repurposed masters at work sample), vogue house seemingly offered the sort of sound that tastemaking and blog-reading djs would snap up with aplomb. hell, even diplo championed the ballroom scene. yet, for whatever reason, the expected vogue-house explosion hasnt really happened. while a handful of non-ballroom producers and djs (most coming from the world of bass music) have experimented with the genre, the music essentially continues to hum along in the underground.

>let life dance thru you< reveals itself as a safari of live played percussion, instruments and sounds. the duo create here a biotope of sounds that interact with each other... like a live band would do… at times almost arabesque sounding this track is full of mysterious soundscapes... jazzy played instruments... flutes running havoc... it could as well be: a spiritual voodoo session from the 70ies!
the whole sound selection if it would be described in colors, would be dark brown, black... with bits of gold. no shiny lights or illuminated plains. almost 11.00 minutes long this track is a real journey and certainly for the people who know rather than feeding djs.
played by: john tejada, dave seaman/ steve parry, max cooper, orde meikle/ slam, kaiserdisco, hermanez, florian meindl, ewan pearson, coyu, kabale und liebe, taster peter, mauro picotto, dubfire, john digweed, kiki, mihalis safras, philip sherburne, derek miller, deepchild, fabrice lig. piemont, pheek, frank sonic, scott byrne, dixon, dave dk, blind minded, david ribeiro, arjun vagale, alland byallo, karim zidan, jens lissat, freska, modrna/ ghostly, christian martin